Upcoming Exhibitions at Lawndale Art Center

Dennis Nance
713.528.5858
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Exhibitions on view May 7 - June 12, 2010

Opening Reception May 7,2010,6:30-8:30PM
Artist talks at 6 PM

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Lawndale Art Center
Presents

Round 4 - Dawn Black, Nick Meriwether & David Waddell

Lawndale Artist Studio Program Exhibition

John M. O'Quinn Gallery

 

Spoiler - Ann Wood

Mezzanine Gallery

 

The Stand - Lily Cox-Richard

Grace R. Cavnar Gallery

 

Farming of The Future (Now Is The Only Thing That Is Real)-

Malcolm Smith

Mary E. Bawden Sculpture Garden

 

Also on view...

SNACK PROJECTS featuring Rachel Hecker

 

 

Houston, Texas -  Lawndale Art Center presents four exhibitions  

opening May 7, 2010, 6:30 - 8:30 PM, with artist talks beginning

at 6 PM.  In the John M. O'Quinn Gallery, Lawndale Artist Studio

Program participants Dawn Black, Nick Meriwether, &  David

Waddell conclude their nine month residency in the 3rd floor

studios with the exhibition Round 4. In the Mezzanine Gallery,  

Ann Wood presents a site specific installation titled Spoiler. In

the Grace R. Cavnar Gallery, Lily Cox-Richard exhibition The

Stand featuresnew work which explores the props used in

neo-classical sculpture. In the Mary E. Bawden Sculpture Garden,  

Malcolm Smith installs an aquaponic garden for Farming of the

Future (Now Is The Only Thing That Is Real).  The ongoing  

SNACK PROJECTS mini exhibition space will feature the work

of Rachel Hecker. The exhibitions continue through June 12, 2010. 

To download the press release in Word format, please click here.
For a PDF version, please click here.

High resolution images are available by emailing

Dennis Nance at dnance@lawndaleartcenter.org.

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John M. O'Quinn Gallery

Dawn Black, Nick Meriwether & David Waddell

Round 4

Lawndale Artist Studio Program Exhibition

The Lawndale Artist Studio Program is part of Lawndale's

ongoing commitment to support the creation of contemporary

art by Gulf Coast area artists.  With an emphasis on emerging

practices, the program provides three artists with studio

space on the third floor of the Lawndale Art Center at 4912

Main Street in the heart of Houston's Museum District. 

This exhibition features residents for the fourth year of the  

Lawndale Artist Studio Program, Dawn Black, Nick

Meriwether and David Waddell.

 

Dawn Black's drawings question the nuances of identity

politics and cultural norms by depicting scenes of

meticulously drawn (in gouache, watercolor, and ink)

figures that have been culled from the Internet and

various periodicals.  The intrinsic narratives created by

the figure's groupings are intended to be layered and

ambiguous, thus allowing the viewer to seriously consider

the relationships depicted.  While a resident at Lawndale ,

Black has been working on a series of works that examine

both acts of violence and society's response to these abuses. 

 

Nick Meriwether presents a collection of work created while

in residency at Lawndale.  This new work spans a variety of

themes and mediums.  While in residence, Meriwether focused

heavily on experimentation.  Circuits and motors were valued

as equal to the paintbrush.  The result is a cloud of ideas

expressed through sculptural forms such as unaccommodating

robotics, shotgun blasts, spray paint and truck hitch testicles

among other surprises.

 

David Waddell presents his expanding world of creatures

through new iPod pieces, wall drawings and collaged

specimen studies.  Waddell extracts components from

printed material in our popular culture.  Images are regenerated

 and brought to life through digital means.  These cultural

creatures camouflage into our modern landscape and

mechanically perform human actions and natural deeds.

 

Dawn Black was born in Louisiana where she received

a BFA from Louisiana State University.  She earned both

MA and MFA, specializing in Painting and Sculpture, from

the University of Iowa School of Art and Art History. 

In 2000, she spent the summer exploring Venice, Italy

while making prints at Scoula di Graphica, a printmaking

studio on the Grand Canal.  She has had solo exhibitions

at Curator's Office, Washington DC, Kunstoffice, Berlin,

Germany and Eve Drewelowe Gallery, Iowa City, IA.   

Her work has been included in numerous group exhibitions,

including Pulse Miami 2008.  Her work has been recently

reviewed by the Washington Post, Art Papers magazine,

and online at www.artinamerica.com and is in various

private collections, notably the Zacharius collection. 

Currently, she is preparing for a March 2010 solo

exhibition at Get This! Gallery in Atlanta, GA.  She

is represented by Curator's Office.

 

Nick Meriwether received his BFA in painting from

the University of Houston in 2006.  He is a

multidisciplinary artist, whose primary mediums

include drawing, sculpture, video and computer

software.  He works professionally as a

photographer's assistant, an art instructor and a

graphic designer.  He is a member of the local

drawing collective Sketch Klubb.

 

David Waddell is a Houston based artist who

creates other worlds through stop-motion animation,

small sculptures, and collaged drawings.  Waddell's

work has been included at Gavin Brown Enterprise,

Lawndale Art Center, New York Fashion Week,

Fotofest and Aurora Picture Show.  He received his

BFA from University of Texas and his MFA in painting

from American University.  Waddell is currently the

Director of Media Studies at HSPVA.


Dawn Black
Conceal Project #136, 2009
Gouache, watercolor and ink on paper
7.5" x 5.5"

 

 






Nick Meriwether
Portrait of the Artist as a
Spray Paint Huffer, 2010
Photographic Print
20 x 20 "

David Waddell
Untitled Collage, 2009
Spray-paint,
magazines, photocopy,
vellum
30"x 40"

 

Mezzanine Gallery

Ann Wood

Spoiler

Since becoming one of the many unfortunate victims

of Hurricane Ike, Ann Wood has been making pieces

that are loosely about objects or events that can "get

you" or "spoil" your day.  A subtle undercurrent in her

newest work has also been the idea of the food chain

and how danger is relative: a bird is wonderful to look

at unless of course you are a worm.  While nature has

always informed Wood's work, the idea of the food chain,

looming danger in seemingly innocent situations, and

the uneasiness that comes with that knowledge has

begun to take on new meaning and increasing importance

because of her own new-found sense of vulnerability.

Spoiler is a site-specific installation in the Mezzanine

Gallery.  Ann Wood creates most of her work using

thread, foam, rubber, and fake objects like insects,

hunting decoys, fruits, and flowers.  The ideas of

scrapbooking, sewing, "women's work," and nurturing

are important for Wood and give the piece a quirky

sense of humor. 

"With Spoiler I am thinking about how ants, in their quickness

to rebuild, represent ambition and drive...if you destroy their

hill they begin to rebuild immediately.  I am also thinking

about 'ants in the pants' and how that silly, light-hearted

saying is used to signify a general sense of uneasiness. 

And of course, the cliché of ants spoiling a picnic is an

obvious reference.  The word spoiler is also used to describe

an ending that has been prematurely given away. 

That's important, too, as this installation includes a lot of

clues as to the "ending" before you reach the Mezzanine

Gallery." - Ann Wood

 

Ann Wood was born in Sacramento, California and

raised in the small, northern California city of Eureka. 

Wood earned a BFA in Art with an emphasis in painting

from California State University, Chico.  She then moved

to Texas to earn an MFA in painting from the University

of Texas at San Antonio.  Her work has been exhibited

across Texas in venues such as the Dallas Center for

Contemporary Arts, Arthouse (formally known as the

Jones Center for Contemporary Art), Women & Their

Work, the Arlington Museum of Art, the University of

Texas at San Antonio Art Gallery, and San Antonio

College Visual Arts Center Gallery.  Nationally, she

has shown at ArtWorks! in New Bedford, Massachusetts;

University Art Gallery at the University of Massachusetts

Dartmouth; and the Arkansas Art Center in Little Rock. 

 Her work has been reviewed in a number publications

including Artlies, Voices of Art, and The Dallas Morning

News.  She was also the recipient of a highly competitive

grant from the Dallas Museum of Art in 2003.


Ann Wood
Naughty, 2004-2007
Thread, rubber, fake
pears, sequins
Dimensions variable

 

 




Grace R.  Cavnar Gallery

Lily Cox-Richard

The Stand

Lily Cox-Richard is interested in the historic and commemorative

roles of sculpture, from public monument to personal grave

marker. Her current work explores the power of icons and

objects, and how this power shifts with time, context, and

readability.  The Stand is an exhibition of new work exploring

the props used in neo-classicalsculpture to shore up both

structure and allegory.  In Hiram Powers' 1872 marble  

The Last of the Tribes, a Native American woman flees

western civilization.  As she runs, the edges of her skirt

flip as they brush past a tree stump.  In Lily's sculptures,

these props and trappings are freed from their roles of

symbol and support and reinvested with

new visibility and presence.

 

Lily Cox-Richard's sculpture often takes the form of

vernacular icons such as frontier fences, towers, and

monuments.  She has been thinking about invisible

forces such as electricity, wireless communication, and

providence, and exploring how such forces manifest

visibly when theyreach a point of saturation. 

Cox-Richard's work has been shown nationally and

internationally. Solo exhibitions include Arlington Art

Center, Arlington, VA; Terminal, Richmond, VA; Civilian

Art Projects, Washington DC; and the Soap Factory,

Minneapolis, MN.  Group exhibitions include Kim

Foster Gallery, New York, NY; Transformer Gallery,

Washington DC; Southern Exposure, San Francisco,

CA; Kompact Living Space, Berlin, Germany; and

Area: Lugar de Proyectos, Caguas, Puerto Rico.

Cox-Richard received her MFA from Virginia

Commonwealth University,Richmond, VA in 2008

and her BFA from California College of the Arts,

San Francisco, CA in 2001.  She was awarded

graduate fellowships from VCU in 2006 and 2007,

from the Virginia Museum of Fine Arts in 2006

and is a 2007 Jacob K.  Javits Commended Scholar. 

Last summer, Richard was awarded the Milos Chlupác

Fellowship to attend theStone Sculpture Symposium

and live and work in a quarry near Salzburg, Austria. 

  Cox-Richard is currently in her second year of the

Core Program at the Museum of Fine Arts, Houston.

lilycoxrichard.com


Lily Cox-Richard
The Stand, 2010
Plaster
70"x20"x20"



Mary E.  Bawden Sculpture Garden

Malcolm Smith

Farming of The Future (Now Is The Only Thing That Is Real)


Aquaponics is a high-density food production arrangement that

produces both plant matter and fish in one system with an

absoluteminimum of water usage.

Very little power is required to operate the Aquaponic

system. The lower part of the system houses the fish that

create the fertilizerfor the plants.  The plants are contained

in what is called a "grow bed" which sits above the fish tank. 

 A single water pump propels nutrient rich water from the fish

tank to the grow bed(s).  Plants become anatural filter as

they absorb nourishment from fish waste, reducing or

eliminating the water's toxicity for the aquatic life while

the water fills the plant container.  Once the plant container

is full a device known as an "auto siphon" drains sparkling

water effortlessly back to the fish tank using only the

power of gravity.  No external power is needed for the

auto siphon to operate. The water, now clean, is returned

to the marine animal environment and the cycle continues. 

  Aquaponic systems do not discharge or exchange water. 

The systems rely on the natural relationship between

the aquatic animals and the plants to maintain the environment. 

 Water is only added to replace water loss from absorption by the

plants, and evaporation into the air.

 

Born in New York, United States, Malcolm Alexander Smith

began studying science under Dr.  Volbrict in Buffalo, New

York.  There he learned to apply his imagination to the world

of science and art using discarded and recycled materials. 

In 1980 he relocated to Houstonand became intimately

involved with the nature of the environment while exploring

the incredible diversity of Texas with her impressive landscapes

and vibrant wildlife.  Most recently, Smith has been deeply

involved with expanding his knowledge in organic gardening,

mainly using the system of Aquaponics, which effectively

produces fish as well as vegetables, herbs and fruit. 

Through the exploration of lifeand science, Smith has become

more interested in projects that involve community.  Likewise

he is looking to broaden the scope of his work by the study

of Fine & Not So Fine Arts.

 



Malcolm Smith
Fish Tank & Grow Beds
Aquaponics prototype

 

 
About Lawndale:
Lawndale Art Center is a nonprofit alternative exhibition space
dedicated to the presentation of contemporary art in all media,
with an emphasis on the work of Houston area artists.

Gallery Hours:
Monday-Friday, 10-5; Saturday, 12-5; Closed Sunday

Admission:
Free

Viewing Dates:
Exhibitions open on Friday, May 7, 2010
and will remain on view through Saturday, June 12, 2010.

_______________________________________

For additional information, please contact:
Dennis Nance
dnance@lawndaleartcenter.org
713.528.5858
www.lawndaleartcenter.org

__________________________________


Programs at Lawndale are supported in part by The National
Endowment for the Arts, The Houston Arts Alliance through
the Houston Museum District Association and City Initiatives
Program, The Texas Commission on the Arts, Houston
Endowment,The Brown Foundation, Inc., Andy Warhol
Foundation for the Visual Arts, The Cavnar Foundation,
The Cullen Foundation, The Wortham Foundation, Inc.,
John M. O'Quinn, Cecily Horton, Ann W. Harithas,
Jonathan and Barbara Day, Diana M. Hudson and
Lee Kaplan, Anitaand David Garten, Mary and Roy Cullen,
Karen J. and David A. Sobotka,
Daniel K. Dubrowski, Jenny and Mark Johnson,
Andrew C. Schirrmeister III, Samantha Schnee,
Continental Airlines, Target, Art Colony
Association, other contributors, memberships, benefit
events and many volunteers.