Vipul H. Divecha

ap_tabs

 

Vipul H. Divecha was born in Mozambique, Maputo (Africa) and was raised in Alief in Houston, Texas. His family has roots in India, and some of artwork reflects his own rich cultural heritage, as well as the cultures and locations that he encountered during his upbringing.

 

One of the youngest of fourteen children, Vipul was raised in a moderately conservative environment where his creative voice was not given the proper nourishment it deserved. Vipul was first exposed to drawing and painting in high school and began to nurture his own creative drive as a young child. Over the course of a few years, this lead to the sudden release of an explosive tidal wave of creative expression. The resulting decrescendo of a new sense of understanding gathered into a pool of a serene state of calm, making it possible to alter status quo and public opinion through a ripple effect of organized chaos. Vipul has been a communication designer for over ten years, and is now actively exhibiting his work in in Houston, Texas.

 

Selected Exhibitions

 

"La Lengua Muerta" Labotanica.

April 9-May 15 2010. Houston, TX. 

 

"Perfect 10s" March 2010. Houston, TX.

 

"Parallel Universes" Spacetaker &

 Winter Street Studios Summer 2009. Houston, TX.

 

“LMAO Comedy Show & Paint the Town Art Auction,”

April 2009. University of Houston, Houston, TX.

 

“Annual Student Exhibition” Honorable Mention –

O’Kane Gallery – December 2000.

 

Contact information: Vipul H. Divecha,

www.vipuldivecha.com email: me@vipuldivecha.com

cell: (832) 488-8134

 

Artist Statement

I start with observations seen in everyday life. My own observations are recorded in journals, photographs, notes and other random objects collected through a childhood of shifting identities.  The quest for a sense of belonging, a sense of understanding, and the needs for puzzles pieces to fit are themes in my work. If puzzle pieces do not fit at first, they are dismantled, and new puzzle pieces are formed from the destruction. I think of organizing chaos. Like the Nataraja's cosmic dance, my working process is representational to evolution and involution. 

My most recent work consists of drawings, and has originated from observations uses as narratives, in particular those relating to machines and nature. I seek to explore the interactions between humanity and nature and ways in which I can explore various planes of coexistence through humor and juxtaposition. The works address our common need for self-definition of beauty and creativity by merging humanity (through machines) with nature.

My pieces are meant to open dialogue about what it means to coexist as humans, living with machines and nature and how we reconcile against labels such as foreign, exotic, or unknown/other.

 

8324888134

ap_portfolio